Little Revolt’s newest show is Journey to the Center of the Earth — a hilarious new adaptation of the Jules Verne classic 1864 novel, Voyage au centre de la Terre. Jules Verne is often referred to as the “father of science fiction”. He might prefer to be called “father of science AND fiction” because he often wrote about real science and innovation in his novels. That being said, Verne was ahead of his time, writing about flying machines, underwater travel, voyages to the moon, and inner-earth exploration – none of which were practical realities during his lifetime. Verne is the second most translated writer in the world, between Agatha Christie and William Shakespeare. His three most famous works include Twenty Thousand Leagues Under the Sea, Around the World in Eighty Days, and Journey to the Center of the Earth. Ray Bradbury wrote: “We are all, in one way or another, the children of Jules Verne.” (Source: the book Verne’s Journey to the Centre of the Self by William Butcher.)
Little Revolt’s New Journey Is A Comedy
Our Journey to the Center of the Earth provides tribute to Jules Verne by following the original story of the novel. However, we have edited the content for time, plus added a big dose of silliness. Our Journey is very much a comedy. The play opens when Professor Otto Lidenbrock discovers an ancient runic manuscript, which he and his nephew, Axel, soon decipher. The mysterious document tells them of a secret passage to the center of the Earth through an extinct Icelandic volcano. Professor Lidenbrock decides they must embark on an adventure to learn what secrets lie under the surface of the planet. Axel reluctantly agrees to join his uncle, but only after he is encouraged by his fiance, Grauben. The men leave Grauben and their maid, Martha, at home. However, in an updated and comical twist, the ladies provide several lively surprises for the explorers along the journey. The Professor and Axel travel by carriage, train, steamship, horse and then on foot as they descend into the volcano. An Icelandic guide, Hans, joins them, and they soon discover amazing secrets beneath the planet, including possible signs of prehistoric life. Jules Verne himself (a character based on the author) will introduce the play. The hilarious and action-packed show is designed to entertain both children and adults. We hope to encourage audiences to rediscover the joys of classic literature plus inspire interest in invention, science and discovery. The script was adapted by Samuel Chesser (yours truly), artistic director at Little Revolt.
The First Performance Is February 10
Little Revolt’s Journey to the Center of the Earth will debut on February 10, 2018, just two days after Verne’s 190th birthday. The first performance will be at the historic Curtiss Mansion in Miami Springs, Florida. It is a fitting location, since Glenn Curtiss was an early aviation pioneer and inventor. Although there is no real way of knowing, it is possible that Curtiss read some of Verne’s stories, many of which were first published in America in the years before Curtiss was born (1878). Little Revolt’s performance of Journey to the Center of the Earth will be free and open to the community. For more information, visit our home page or follow us on social media.
UPDATE: We hosted a Journey to the Center of the Earth online AMA (Ask Me Anything) session. Read our AMA here.
Little Revolt wants to create many types of theater. But early modern theater, and specifically the plays of William Shakespeare, bring us joy. We have performed Shakespeare and have taught his work to both students and adults. Our signature event, Shakespeare’s Birthday Celebration, is held in April and includes performances, storytelling, dance, art workshops and more.
As a new theater organization, Little Revolt is still defining itself, and I am sure our programming will evolve. Our first group of shows included ‘James and the Giant Peach’ based on the Roald Dahl book, as well as ‘A Midsummer Night’s Dream’ and ‘Twelfth Night’ by William Shakespeare. These initial shows were creative, literary, and fun. A friend described our productions as “organic”. Whether or not he meant this as a compliment, I love the description. Organic is right. We are theater of, for, and by the people.
For more than 400 years, theater groups around the world have staged the plays of Shakespeare. People have interpreted his works in countless ways, and performed them in multiple languages — in theaters, at festivals and in parks. He has been called a “genius” and “the best writer in the English language.” He is an icon for many, a passion for some, and even a bane for others. I recently heard someone proclaim joyfully at a workshop, “Shakespeare is my life!” While others react with terror at the thought of watching a Shakespeare play. One of my friends referred to Shakespeare as an “industry.” There are in fact scholars and writers across the globe who make careers by researching and writing about Shakespeare. So why is it that we include Shakespeare in our work? We are happy you asked.
For the Fun of It
There are many reasons why Little Revolt includes Shakespeare in our programs. The simplest of those reasons is: We think Shakespeare is fun. His plays provide us with comedy, thrills, drama, action, music, and dance. Here I must take a moment to recognize the fantastic work of the American Shakespeare Center in Staunton, Virginia. I have visited the ASC many times, enjoyed shows, watched rehearsals, attended lectures and workshops, and I always leave the ASC energized and thrilled with the possibilities of Shakespeare. Although Little Revolt is different from the ASC (and much smaller), we hope we can share some of that same excitement with our local community in Miami.
Why do so many people think Shakespeare is boring? Likely, they have not yet experienced Shakespeare in a positive way. We love English and Literature teachers (a lot). However, we believe that sitting in class and reading a Shakespeare play is a sure way to kill him. Rather, we encourage “Doing-Shakespeare-up-on-your-feet,” or “Watching-Shakespeare-right-in-the-middle-of-the-action,” or “Having-a-riotous-time-enjoying-Shakespeare.” You can choose to read, analyze, study or pontificate on his works. We encourage it, if that’s your thing. But, Shakespeare wrote sonnets and plays, and they plays were intended to be, well, played. Ergo, we believe playing is the best way to enjoy Shakespeare.
Shakespeare Supports Our Mission
Another reason we focus on Shakespeare is that it fits nicely with our goal as a nonprofit arts organization. We aim to involve everyday people in making theater, to challenge people’s assumptions, to educate, to help people grow, to build ensembles, to encourage play, and to make the world a little bit better. Shakespeare’s plays support our goals perfectly. We hope to demystify Shakespeare. We want to demonstrate through action that Shakespeare is absolutely fun, hilarious, beautiful, poignant, and thrilling.
Of course there are many types of theater which can be challenging and rewarding. But we believe doing Shakespeare adds a wonderful layer of richness. Doing Shakespeare makes us better people after having grown through the experience. For many people Shakespeare’s plays can require a little more effort to enjoy them. But like many things in life, the best things often require just a bit more work. Little Revolt supports the process of groups (young and old) growing together to understand Shakespeare by doing Shakespeare.
Blasts from the Past
At Little Revolt we also believe that a focus on classical theater is important. Sure, modern, innovative theater is wonderful, but if we do not practice and encourage the classics, we run the risk of losing them. Carey Perloff, Artistic Director of the American Conservatory Theater in San Francisco, has argued very eloquently, “It would be a fantastic thing in this country [the United States] to re-embrace classical theater in all its plurality and diversity.” You can listen to an interview with her online here.
Many in the theater world sing the praises of modernity and technology. People say that the digital age has ushered in exciting new types of storytelling. They are right. London’s Globe theater now broadcasts shows online across the planet. We can eavesdrop on a modern re-tweeting of ‘Romeo and Juliet’. The Royal Shakespeare Company dazzled audiences with digital magic in a recent production of ‘The Tempest’. We support all of these new ways of engaging people in stories. However, we also believe that the oldest type of storytelling, simply a group of people gathered around performers, is still the best type of storytelling, and probably always will be.
We intend to follow original staging conditions or “original practices” (when possible) during Little Revolt’s Shakespeare performances. Here are several examples: We utilize universal lighting (so that the audience can see the actors, the actors can see the audience, and audience members can see each other). Our actors are encouraged to interact with the audience. Little Revolt often “doubles” actors in multiple roles. We like to end our Shakespeare shows with a jig. We offer gallant seating (right next to the sides of our stage area) and “groundling pit” seating down front (but on comfy blankets) for audience members to see the action up close. While we love beautifully designed theater, our budget doesn’t allow for elaborate sets or special lighting. We think original staging conditions help recreate a special magic on their own, and provide a rich experience similar in many ways to the shows during the time of Shakespeare.
Just a Guy Making Theater
Many people like to put Shakespeare on a pedestal, but at Little Revolt we do not. Don’t get us wrong. We love the guy, and the more we study and practice his plays, the more we are amazed by his genius. He was a gifted writer and dramatist. We are lucky that so much of his work has survived for us to enjoy today. However, we also think he was . . . well, just a person – a guy writing plays, pursuing his craft, running a theater, making a living. Although Shakespeare became quite popular during his lifetime and eventually grew to be somewhat wealthy, we believe, mostly, he was just a person doing what he loved best – making theater. His goals were to entertain his audience, to make them laugh, to thrill them, to earn the respect of his peers, and to sell tickets. He also wasn’t perfect. (We can relate.) So we think a healthy approach to Shakespeare is not to treat him as a god; but rather, to respect him as a normal human person, and to appreciate his wonderful gifts as a dramatist.
I will close this essay by sharing a few of my favorite Shakespeare / Little Revolt memories so far:
We did some work with a group of older adults at a local senior center. We spent 20 minutes analyzing and playing around with an opening speech by Egeus from ‘A Midsummer Night’s Dream’. During the exercise, which I borrowed from my friend and wonderful teacher Julia Perlowski, I witnessed the group’s mood change from frustration and utter confusion about the text, to aha, to enjoyment, to laughter – and it ended with an impassioned debate about equality!
I thoroughly enjoyed watching attendees dance up a storm during the English old country dance lessons at Shakespeare’s Birthday Celebration. Likewise, I loved when our actors kicked up their heels during our end-of-show jigs.
The eighth graders with whom I worked completed a wonderful Midsummer Night’s journey together. They acted in their first Shakespeare play, and impressed many along the way.
Small children sat up close in our gallant stools and paid attention during our entire performance of ‘Twelfth Night’. This was amazing and touching.
I wanted to cry tears of joy when our thirteen year old Feste sang “Come Away Death” so beautifully in ‘Twelfth Night’.
One day my eighth grade workshop students and I made our were walking through the school. Several younger kids were curious, and they asked the workshop students, “What are you doing?” The older students replied, “A Shakespeare class.” Then a wide-eyed boy asked earnestly, “What’s Shakespeare?!?” I laughed and thought, just you wait and see, young man.
Starting a new nonprofit theater and arts organization is daunting and a lot of work, but we’re proud to announce that Little Revolt recently completed its first anniversary. A lot of people have supported us along the way, and we want to say thank you.
Miami-Dade County. Some of our programs have been made possible with the support of the Miami-Dade County Department of Cultural Affairs and the Cultural Affairs Council, the Miami-Dade County Mayor and Board of County Commissioners. In particular, thank you to Roxana and Hanny.
The Curtiss Mansion. Thank you to Melinda, Sherry and the Board for having the vision and willingness to explore the benefits of community theater at the Mansion. Glenn Curtiss would be proud!
Dee Deringer Piquette. Dee has provided unwavering support for Little Revolt. Her work ethic and love for theater are amazing, as are her costumes. She has been a true friend, and we will be eternally thankful.
Birgit and Michael Scaglione. Birgit is incredible as an artist and designer. She’s also smart and has provided an immeasurable amount of support for Little Revolt, especially during Shakespeare’s Birthday Celebration. And to Michael, thank you for helping with the May-pole music and for being such a great Glenn Curtiss, lol.
Margo Acosta. Margot has been a super friend, a supporter, and a hard worker. We couldn’t have done it without you.
Rick and Mary Reed. Thank you both for stepping in and providing your technical expertise and support.
National Arts Strategies and the University of Pennsylvania. Thank you for helping to school us on the ways of running an arts organization. Hey, Peter, you can still sponsor our Shakespeare celebration for next year, lol.
Terry Alexander, Mother Susan Keedy and All Angels Academy. Thank you for everything, too many things to name –just thank you.
Jorge and Kim Calil. Thank you for being sounding boards and supporters.
Ralph Wakefield and Nancy Jones. Thank you for permitting Little Revolt to access to the Pelican Playhouse’s “warehouse” of costumes. And thank you, Ralph, for a truly wonderful reading for kids on Shakespeare’s Birthday about the life of the Bard. Also, thank you for being an inspiration — for doing community theater the right way.
Karen Rosson and Carol Foster. Thank you for your support and for being “game” for our crazy ideas.
Carrie Segal Enterprises. Thank you for helping with our design and printing.
Anthony’s Coal Fired Pizza in Doral. Thank you for the delicious food and your support. You are a wonderful community partner.
Other Volunteers and Actors. There are many others who have helped out. We appreciate you.
Early Donors. Money matters too, and I’m thankful to the folks who made the first ever contributions to Little Revolt in 2016. Carrie S, Rob G, Ralph C, Laurel W, Jorge and Kim, Esther and Ted.
Stripe. Thanks to the folks over at Stripe.com, now you can register online for Little Revolt’s Shakespeare Camp — OR make an online contribution to Little Revolt — with NO credit card processing fee. Thank you Stripe for helping out nonprofit organizations and the arts.
Inspiration and Education. Thank you to others who have inspired us. This will probably be a future blog post on its own, but in brief . . . Julia Perlowski, teacher extraordinaire, words cannot describe what I owe you . . . Dr. Pam Monteleone, the person who taught and inspired me to do theater and Shakespeare 25 years ago . . . Ms. X, a high school teacher (whose name escapes me) that cast me in my first play, and required me to memorize a Romeo soliloquy (which I still remember) . . . Mrs. Betty Johnson, who opened my ideas to art . . . Michelle Terl, Ann Hasenohrl, the American Shakespeare Center and the Blackfriar’s Playhouse (Sarah, Cass and Ralph), the Utah Shakespeare Festival (Michael,) the Folger Shakespeare Library, and the English Speaking Union, and W.S.
Thank you all for helping us survive year one. Happy anniversary to everyone involved!
It is fitting on today, April 23, the day when we recognize the birthday of William Shakespeare, that we launch this blog. It is also fitting on today that we announce: Registration is now open for Little Revolt’s teen summer Shakespeare Camp!
First, about the blog. We have called our new blog ‘Furry Revolution’ because: a.) It’s cute, and b.) It reinforces the idea started with Little Revolt that we can — in our own small (cuddly) way – help make the world a better place by creating theater and art. I will spare you any pronouncements about what this blog will be. We will see. But I expect there will be news and updates about Little Revolt, along with ruminations about the trials and terrors of running a small nonprofit theater organization, as well as thoughts about the arts world in general. We invite you to check back occasionally, sign-up for email updates, or follow us on social media to stay in touch with us. Now, on to Shakespeare Camp.
Little Revolt’s Summer Shakespeare Camp for teens (ages 13-17) is scheduled for July 27 through August 11. It will be held at the beautiful and historic Curtiss Mansion in Miami Springs, Florida. Shakes Camp will be a twelve-day fun and immersive experience. Planned activities include: learning Shakespeare original staging practices, costuming, talk-back sessions with adult actors, acting exercises, improvisation, movement, safe stage combat, Elizabethan era dance lessons, and more. Camp will culminate in a final student performance on the evening of August 11. Shakespeare Camp promises to be an intense, fun, busy, creative, and joyful 12 days. Our aim is to create memories which will last a lifetime. So if you’re a teen, or know someone who is a teen, register now for Little Revolt’s Shakespeare Camp.
That’s it for our first blog post. Oh, and happy birthday, Shakespeare!